Photo of the Day- Paris Rooftops No. 1

"Paris Rooftops No. 1" - Tracey Capone Photography

I will be the first to admit, I hated anything math related when I was a kid. It wasn’t that I couldn’t understand it, I would have just rather had my nose in a book than trying to figure out the cosign of the perpendicular of the tangent or whatever we were supposed to be learning (I can add, subtract, multiply and divide to figure out my checkbook… I’m golden)

I do however love geometric patterns, especially those created by abstracts of everyday things you would least expect… like, say rooftops? Parisian rooftops, and Parisian architecture as a whole, is very unique and very identifiable. Many of the buildings have these amazing slate blue rooftops with, dare I say, the most adorable vibrant orange chimneys atop the beautiful pale creme of the building itself. They create the most amazing abstract patters when viewed from above.

The Photo of the Day, “Paris Rooftops No. 1″ is actually one fourth of a photo I took from the Eiffel Tower looking down.  Looking out from the tower, you will see miles and miles of these beautiful rooftops, creating zig zagging patterns and an amazing mosaic that is simply breathtaking.

Enjoy!

*tracey*

Photo of the Day- “Twilight”

Today’s photo of the day is aptly named, “Twilight,”  shot at dusk from beneath the Eiffel Tower in Paris.

 I love how the burst of light from the sunset provides just enough to outline the amazing architecture and detail of the tower and the trees behind it. Aged for a vintage feel, this was one of my favorite evenings in Paris as it was the first day we arrived and, thankfully, the March weather was beautiful.

Find it, as well as many others, in my gallery found here.

Enjoy!

*tracey*

"Twilight"

New Creations- “Ville” and “The Bank”

Two new additions to my paris.rome.and.beyond series are “Ville” and “The Bank.” Both prints are available separately but also pair well together.

Both were shot at dusk in Paris, one along the banks of the river and the other while walking through the charming areas just off the banks. I’ve layered them to give an aged, almost vintage, feel. I love playing with depth of field in my shots and these two are no exception.  I love the aged, almost “ghostly” feel of both.

I’ve added a few new prints from Paris to the series and all are available in my online gallery, here.

"Ville"

"The Bank"

New Creation- “Days Past”

A new addition to my paris.rome.and.beyond series, I am pleased to introduce, “Days Past” an aged metallic photograph from Paris.

This photo, hand layered with an original texture made from the “leftovers” of a scanned  piece of Polaroid pull apart film, is overlooking Paris from Notre Dame. The Kodak Endura Metallic Paper that I use to print this brings out the aged look with it’s amazing “chrome like” feel.

The print is available in sizes all the way up to 24×36 and is printed with a small white border for easy matting and framing.  Black Friday through Cyber Monday (ending 11/30 at midnight) all prints are Buy One Get One with free international shipping. Check out my online gallery for details.

"Days Past"

New Creation- Photo Swatches for Interior Designers

The Sunday Drive Watermark

"The Sunday Drive"

Recently I was joking with my number one fan, a.k.a. my mom, about the fact that she keeps lugging framed pieces of my work with her so that she can share them with the various folks she comes across. (Moms are awesome aren’t they?) I teased that I should send her a small photo album with mini prints of each photo so that she could just slip it in her purse and carry it with her wherever she goes. She thought it was a great idea… I was kidding… she wasn’t.

Jokes aside, that got me to thinking. When perusing an online gallery, while high definition monitors and high resolution pictures do allow you to get a pretty good sense of what a photo is going to look like, it’s still not the same as holding the photo in your hand and seeing it up close and personal. This is especially true for the metallic paper that I use. While I can describe a metallic print and explain how it adds vibrancy to colors and an intensity to blacks, I can’t do full justice to just how amazing these prints are.

That said, I’ve begun offering photo swatches for interior designers.  This will allow them to see, first hand, how the colors in each piece play off of one another, how, in the metallic prints, the “chrome” like feel adds a depth to the photograh that others, before they invest in them. This will also allow them to more easily share their suggestions with their client.  After all, you can get a swatch of fabric before you invest huge sums in it, why not a fine art photograph?

The photo swatches will be sample (as they’ll include a copyright at the bottom) 3×5 and 4×4 prints of the pieces I offer in my gallery. Those interested would simply indicate which prints they would like to see and they’ll be shipped out at no charge.

Now, if you’ll excuse me, I need to go buy a mini portfolio for my number one fan…

Watching the Time WM

"Watching the Time"

Patina Watermark

"Patina"

A Day by the Water WM

"A Day by the Water"

Pensive WM

"Pensive"

New Creation- “La Tour Eiffel” and My Love of Travel Photography

OK so my love of travel photography isn’t a new creation; it’s something that’s developed over the last several years.

The other day, while I was going through a box of old things, I came across my very first digital camera. It was a 3.0 megapixel  point and shoot that I had purchased before a trip to Germany five years ago. That was a trip of firsts; my first trip abroad, thus the first time I ever needed a passport, and my first time using a digital camera.

I fell in love with photography, and travel, on that trip. The majority of my photos aren’t the “Here I Am at the…” photos that you see from most trips as I much prefer the opposite side of the lens. Most were  creatively framed shots (or at least my attempt at it)  of the amazing architecture in Munich, the scenery in Heidelberg and Salzburg, Austria, and a “photo essay” of sorts that I shot on our visit to Dachau Concentration Camp.  Even with that inexpensive little point and shoot, while admittedly difficult, I found myself twisting myself in to any number of weird poses to shoot from odd angles and, while I didn’t have any manual control over the exposure settings, I did find myself fiddling with those I did have for more creative lighting. Below, you will see one of my photos from my trip to Dachau which, to this day, despite the grim subject matter, is still one of my favorite shots. (This would be of the trees lining the walk between the prisoner bunkers that used to be on either side. They have since been torn down at the request of the survivors.)

"The Walk"

"The Walk"

 Not long after that trip, I upgraded to a digital SLR and began teaching myself the ins and outs of photography, from framing to manual exposure (my camera is permanently set on Manual exposure, no more presets!). I couldn’t wait for my next trip so that I could try out my new skills and, thankfully, I wouldn’t have to wait very long. Over the last five years, I’ve been lucky enough to travel to Italy twice, France, England and Ireland, but my love of travel photography isn’t relegated solely to trips abroad. My camera is never out of arms reach, whether it’s on a trip to Wine Country in California, the mountains of Taos in New Mexico or just a drive in the car on a Sunday morning.

I don’t take my ability to travel for granted; I know that I am very lucky to be able to do it and it’s a priviledge that not everyone can experience. That said, I have begun posting several photo series from my trips as a way of hopefully bringing my experience to others and I look forward to being able to post many more trips down the road.

One of my favorite photographs from my trip to France was this shot of the Eiffel Tower, the subject of my newest piece, “La Tour Eiffel.” In person, the Eiffel Tower is awe inspiring. You can see it from almost anywhere in Paris and, from the top of the tower, the views of the city are breathtaking. It’s one of those icons that, despite seeing it multiple times in books growing up, the first time you see it in person, it takes your breath away. I wanted to capture it as close to the bottom of the Tower as I could to capture the wonderful architecture and design while still properly representing it’s majestic height.

I layered this photo with several textures, initially with the idea that I might give it a “vintage” photo feel, however was pleasantly surprised at the multiple vibrant colors in the end result.  Sometimes these things happen accidentally but, thankfully I can always figure out how it happened and weren’t we all taught as children that you, “learn from your mistakes?”

This and many other prints are available in my online gallery. Please feel free to stop by and take a peek and check back in with me as I have several new pieces in the works that I can’t wait to share.

"Le Tour Eiffel"

"La Tour Eiffel"